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For instance, in C major, a jazz musician may alter the V chord, G 7 (G–B–D–F), with a flattened fifth, producing the chord G 7 ♭ 5 (G–B–D ♭ –F). An improviser might then choose a scale containing these four notes, such as the G whole tone scale, the G octatonic scale, or a mode of either D or A ♭ melodic minor ascending. In ...
The scale degree chords of B-flat major are: Tonic – B-flat major; Supertonic – C minor; Mediant – D minor; Subdominant – E-flat major; Dominant – F major; Submediant – G minor; Leading-tone – A diminished
As such, a jazz guitarist or jazz piano player might "voice" a printed G 7 chord with the notes B–E–F–A, which would be the third, sixth (thirteenth), flat seventh, and ninth of the chord. Jazz chord-playing musicians may also add altered chord tones (e.g., ♯ 11) and added tones.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction. In jazz, chords are often arranged vertically in major or ...
Example 1: Below, a common voicing used by jazz pianists is given for the chord C 7 ♯ 9 (C major chord with a minor 7th, and extended with an augmented 9th). In the lower stave the notes E ♮ and B ♭ are given. These form a tritone which defines the dominant sound, and are the major 3rd and minor 7th of the C 7 ♯ 9 chord.
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