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The Chicago Manual of Style is published in hardcover and online. The online edition includes the searchable text of the 16th through 18th—its most recent—editions with features such as tools for editors, a citation guide summary, and searchable access to a Q&A, where University of Chicago Press editors answer readers' style questions.
Crosspicking is a technique for playing the mandolin or guitar using a plectrum or flatpick in a rolling, syncopated style across three strings. This style is probably best known as one element of the flatpicking style in bluegrass music, and it closely resembles a banjo roll, the main difference being that the banjo roll is fingerpicked rather than flatpicked.
A hand-held tungsten carbide knife sharpener, with a finger guard, can be used for sharpening plain and serrated edges on pocket knives and multi-tools.. Sharpening is the process of creating or refining a blade, the edge joining two non-coplanar faces into a converging apex, thereby creating an edge of appropriate shape on a tool or implement designed for cutting.
Knife sharpening is the process of making a knife or similar tool sharp by grinding against a hard, rough surface, typically a stone, [1] or a flexible surface with hard particles, such as sandpaper. Additionally, a leather razor strop , or strop, is often used to straighten and polish an edge.
Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops. The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side.
The cylinder-back is a style of mandolin manufactured by the Vega Company of Boston, MA between 1913 and roughly 1925. The design patent (US patent number D44838) for the instrument was issued on November 4, 1913 to David L. Day, who was director and chief acoustical engineer for the stringed instrument division of the Vega Company.
Mentored by Bill Monroe, [when?] known as the "Father of Bluegrass Music," Mike Compton is recognized for his interpretation of Monroe's mandolin style. Compton runs an annual Monroe Mandolin Camp in Nashville, Tennessee, where he, along with other instructors, teaches bluegrass mandolin techniques, including foundational skills and advanced aspects of Monroe's playing style.
The Classical Mandolin Society of America Inc., or CMSA, is a 501 (C)(3) not for profit corporation committed to promoting the playing and study of mandolin instruments in the United States. The organization was founded in 1986 by Norman Levine.