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Józef Chełmoński: Partridges in the snow, 1891 Richard von Drasche-Wartinberg: In Deep Winter. The depiction of winter landscapes in Western art begins in the 15th century, as does landscape painting in general. Wintry and snowy landscapes are very rarely seen in earlier European painting since most of the subjects were religious.
The Magpie (French: La Pie) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, created during the winter of 1868–1869 near the commune of Étretat in Normandy. Monet's patron, Louis Joachim Gaudibert, helped arrange a house in Étretat for Monet's girlfriend Camille Doncieux and their newborn son, allowing Monet ...
The Shortening Winter's Day is near a Close; Skaters in the Bois de Boulogne; Sledging on the Neva; Snow at Argenteuil; Snow Storm: Hannibal and his Army Crossing the Alps; Snow Storm: Steam-Boat off a Harbour's Mouth; A Sorcerer Comes to a Peasant Wedding; Stalingrad (painting) Stetind in Fog; Suvorov crossing the Alps
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It shows the artist's impression of a horse-drawn sleigh coming through a covered bridge, with the flecks of mica spread on the snow to heighten the whiteness of the winter landscape. This painting is a good example of the early small format winter landscapes that the artist sold along with her preserves at local fairs in the period before she ...
Winter Landscape with a Bird Trap, also known as The Bird Trap, is a panel painting in oils by the Flemish painter Pieter Bruegel the Elder, from 1565, now in the Oldmasters Museum in Brussels. It shows a village scene where people skate on a frozen river, while on the right among trees and bushes, birds gather around a bird trap .
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Winter Palace Taken! [1] (also known as Winter Palace Taken without the exclamation mark) is a painting by Soviet artist Vladimir Serov. It depicts the storming of the Provisional Government during the October Armed Uprising in Petrograd. The painting is currently on display at the State Tretyakov Gallery.