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Mozart's "37th symphony" is actually Michael Haydn's 25th symphony; Mozart only added a 20-bar slow introduction to it. Some symphonies of uncertain authenticity were included in either the Alte Mozart-Ausgabe or the Neue Mozart-Ausgabe ; they are in this list but marked as uncertain or spurious (in the cases of K. 16a and K. 98, which later ...
The slow second movement is a theme and variations in C minor that recalls similar slow C minor movements in other Mozart E ♭ major concertos such as K. 271 and K. 364. Mozart's father, in a famous letter to Maria ("Nannerl"), expressed surprise that a call was made for the slow movement ("a rather unusual occurrence!") to be repeated.
Mozart also wrote embellished versions of several of his piano sonatas, including the Dürnitz Sonata, K. 284/205b; the slow movement of K. 332/300k; and the slow movement of K. 457. In all of these works, the embellishments appear in the first editions published under Mozart's guidance, with the suggestion that they represent examples of ...
This is the only symphonic slow movement of Mozart's to bear the indication cantabile. The opening melody, played by muted violins, is never allowed to conclude without interruption. After a development section, the recapitulation begins in the subdominant key of B ♭ major , though a secondary development section disrupts the recapitulation ...
In his production of minuets, Mozart generally followed Haydn's example, preferring the slow character of the dance. Allemandes written between 1787 and 1791 were mainly for public balls in Vienna. In the Contredanse production, also written mainly in Vienna, some examples of program music are found, like Il Temporale , K. 534, La Bataille , K ...
The slow movement has a siciliano character and meter which was rare in Mozart's earlier symphonies (only used in one of the slow movements of the "Paris") but would appear frequently in later works such as No. 38 and No. 40. [3] The next symphony by Mozart is Symphony No. 38. The work known as "Symphony No. 37" is mostly by Michael Haydn. [4]
In Mozart's thematic catalog, the piece was dated May 29, 1787.On that same day, he also received word of his father's death. Mozart then shared the sad news with his close friend Gottfried von Jacquin, a Viennese court official and amateur musician, and subsequently dedicated the piece to Gottfried's sister, Franziska von Jacquin. [2]
The slow second movement, in ternary form, is somewhat operatic in tone. The piano begins alone with a theme in Siciliano rhythm characterized by unusually wide leaps. This is the only movement by Mozart in F ♯ minor. [1] The dynamics are soft throughout most of the piece.