Search results
Results from the WOW.Com Content Network
The Seventh Continent (German: Der siebente Kontinent) is a 1989 Austrian drama film directed by Michael Haneke.It is Haneke's debut feature film. The film chronicles three years in the life of an Austrian family, which consists of Georg, an engineer; his wife Anna, an optometrist; and their young daughter, Eva.
Haneke's first films were his "glaciation" trilogy, consisting of The Seventh Continent (1989), Benny's Video (1992), and 71 Fragments of a Chronology of Chance (1994), each of which depict a "coldly bureaucratic society in which genuine human relationships have been supplanted by a deep-seated collective malaise" and explore "the relationship ...
Pages in category "Films directed by Michael Haneke" The following 14 pages are in this category, out of 14 total. ... The Seventh Continent (1989 film) T.
Michael Haneke is an Austrian director and writer. He has received numerous accolades including a BAFTA Award , three César Awards , and an Independent Spirit Award . He has received two Academy Award nominations for Amour (2012), which won the Academy Award for Best Foreign Language Film for Austria ; his previous film, The White Ribbon (2009 ...
(The Seventh Continent) Michael Haneke: Dieter Berner , Birgit Doll, Leni Tanzer, Udo Samel: Drama: Michael Haneke's cinefilm debut. Wega Film: Ein Sohn aus gutem Hause: Karin Brandauer: Alexander Lutz , Angelica Ladurner , Georg Friedrich, Felix von Manteuffel, Ewa Błaszczyk, Rolf Boysen , Walter Schmidinger: Drama: Sterben und Leben im Schloß
Cinétévé Sales, the global distribution branch of Paris-based production banner Cinétévé, has scored a raft of international sales for non-fiction projects presented at this year’s ...
71 Fragments of a Chronology of Chance (German: 71 Fragmente einer Chronologie des Zufalls) is a 1994 drama film written and directed by Michael Haneke. [1] It has a fragmented storyline as the title suggests, and chronicles several seemingly unrelated stories in parallel, but these separate narrative lines intersect in an incident at the end of the film.
Writer-director Brady Corbet doesn’t see much difference between constructing a skyscraper and making a movie. “There are so many similarities,” says Corbet, whose new film “The Brutalist ...