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Relic'ing (also written as relicing) is the process of distressing a guitar to mimic the worn appearance and broken-in feel of older, vintage guitars. [1] Relic'ing is done to both new guitars by their manufacturer, typically as "aged" replicas of models from sought-after years, and to used guitars by their owners as a popular DIY project.
Trigger is a modified Martin N-20 nylon-string classical acoustic guitar used by country music singer-songwriter Willie Nelson. Early in his career, Nelson tested several guitars by different companies. After his Baldwin guitar was damaged in 1969, he purchased the Martin guitar, but retained the electrical components from the Baldwin guitar.
Inlay on guitars or similar fretted instruments are decorative materials set into the wooden surface of the instrument using standard inlay techniques. Although inlay can be done on any part of a guitar, it is most commonly found on the fretboard, headstock—typically the manufacturer's logo—and around the sound hole of acoustic
The guitar tech also might perform any of a variety of maintenance tasks, such as checking that the string height of the guitars is set properly, modifying ("dressing") the height and arc of the frets, adjusting the intonation of the instruments, checking that tubes (valves) on tube amplifiers are working properly, and that cables are in good condition and free from crackles and hum caused by ...
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
Originally built around the Martin D-14 Fret platform, early examples included exotic tone woods, such as Brazilian Rosewood, which is no longer available in large quantities due to deforestation and subsequent treaty controls. Original D-28 guitars also used standard materials no longer found in current production models.
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Like a conservator working to restore the color saturation of the water lilies in a Claude Monet painting, conservators should keep in mind the instrument maker's integrity when cleaning or restoring any type of musical instrument (for example, luthiers create guitars and violins for guitarists or violinists), as well as the standardized ...
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