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The psalm has been variously dated to either the 8th century BC, the time of the prophets Hosea and Micah, or to a time after the Babylonian captivity.The latter date is supported by the reference to "gathering" in verse 5, but is problematic because verse 2 describes Zion (another name for Jerusalem) as "the perfection of beauty", even though Jerusalem was destroyed in 587 BC.
Thou hast broken my bonds: I will sacrifice to thee the sacrifice of praise, and I will call upon the name of the Lord. (Ps 115) Flight hath failed me: and there is no one that hath regard to my soul. 6.I cried to thee, O Lord: I said: Thou art my hope, my portion in the land of the living. (Ps 141,5b-6 – often split and counted twice).
King's College Chapel, Cambridge. The Miserere is one of the most frequently recorded pieces of late Renaissance music.An early and celebrated [7] recording of it is the one from March 1963 by the Choir of King's College, Cambridge, conducted by David Willcocks, which was sung in English, [8] and featured the then-treble Roy Goodman.
Others see these words in the context of Psalm 22 and suggest that Jesus recited these words, perhaps even the whole psalm, "that he might show himself to be the very Being to whom the words refer; so that the Jewish scribes and people might examine and see the cause why he would not descend from the cross; namely, because this very psalm ...
Psalm 15 is the 15th psalm in the Book of Psalms, beginning in English in the King James Version: "Lord, who shall abide in thy tabernacle? who shall dwell in thy holy hill?" In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 14 .
The Asperges is so called from the words intoned at the beginning of the ceremony, taken from Psalm 50:3, throughout the year except at Eastertide, when Vidi aquam (based on Ezechiel 47), with Psalm 116:1, is intoned. It precedes every other ceremony that may take place before the Mass, such as the blessing of palms or of candles.
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John Goss "Praise, my soul, the King of heaven" is a Christian hymn.Its text, which draws from Psalm 103, was written by Anglican divine Henry Francis Lyte. [1] First published in 1834, it endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.
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