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Modular art is art created by joining together standardized units to form larger, more complex compositions.In some works the units can be subsequently moved, removed and added to – that is, modulated – to create a new work of art, different from the original or ensuing configurations.
grattage. Grattage (literally "scratching", "scraping") is a technique in surrealist painting which consists of "scratching" fresh paint with a sharp blade. [1] [2]In this technique, one typically attempts to scratch and remove the chromatic pigment spread on a prepared support (the canvas or other material) [3] in order to move the surface and make it dynamic. [4]
Le Chahut is an oil painting on canvas measuring 170 by 141 cm (67 x 55 in). Seurat employed a Divisionist style, with pointillist dots of color. The work is dominated by a color scheme that tends toward the red end of the spectrum, of earth tones that draw from a palette of browns, tans, warm grays, and blues, interspersed with not just the primary colors (reds and yellows), nor even with the ...
Among the various elements in the composition we can make out a bell, evidently in vibration, a lion crawling along with catlike stealthiness, several figures of not perfectly luminous import, and some irregular folds of drapery intended to serve as a modulation or a connecting rhythm from one idea to the other.
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
Lining an entire painting has largely fallen out of favor due to the invasive nature of the treatment. Minimalist intervention emphasizes the maintenance of the original integrity of a painting, so long as it is able to be displayed and the image is not disrupted. [2] However, patches are sometimes applied to strengthen specific areas of a ...
The term was already in use in the 1880s and a discussion of the context at the end of the Edo period is traced in Foxwell's monograph on Making Modern: Japanese-style Painting. [4] Prior to then, from the early modern period on, paintings were classified by school: the Kanō school, the Maruyama-Shijō school, and the Tosa school of the yamato ...
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.