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Etching: 186 × 135 mm: B70 Sudarium Spread Out by an Angel: 1516: Etching: 184 × 133 mm: B26 Abduction of Proserpine on a Unicorn: 1516: Etching: 315 × 211 mm: B72 The Virgin on a Crescent with a Crown of Stars and a Sceptre: 1516: Copper engraving: 118 × 74 mm: B32 Madonna Crowned by Two Angels: 1518: Copper engraving: 155 × 101 mm: B39 ...
The prints with uncertain authorship will be marked by a note below the title. The list below contains great majority of the prints which were included in one of the Dürer's catalogue raisonné indicated, even if the source was not certain of the authorship or considered it to be work of School of Dürer.
The Meisterstiche ("master prints") by Dürer are three of his most famous engravings. They are Knight, Death and the Devil (1513), Melencolia I (1514) and St. Jerome in His Study (1514). These three large prints (about 7 by 10 inches (18 by 25 cm)) are often grouped together because of their perceived quality and unity of meaning, although ...
The Strange World of Albrecht Dürer Archived 14 July 2015 at the Wayback Machine at the Sterling and Francine Clark Art Institute. 14 November 2010 – 13 March 2011 Dürer Prints Close-up on YouTube, made to accompany The Strange World of Albrecht Dürer. Albrecht Dürer: Vier Bücher von menschlicher Proportion (Nuremberg, 1528).
Knight, Death and the Devil, 1513, engraving, 24.5 x 19.1 cm. Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche (master prints) [1] completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings.
Melencolia I is one of Dürer's three Meisterstiche ("master prints"), along with Knight, Death and the Devil (1513) and St. Jerome in His Study (1514). [7] [8] The prints are considered thematically related by some art historians, depicting labours that are intellectual (Melencolia I), moral (Knight), or spiritual (St. Jerome) in nature. [9]
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