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In rhetoric, a climax (Ancient Greek: κλῖμαξ, klîmax, lit. "staircase" or "ladder") is a figure of speech in which words, phrases, or clauses are arranged in order of increasing importance. [1] [2] In its use with clauses, it is also sometimes known as auxesis (lit. "growth"). [3]
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Accumulatio is a figure of speech, part of the more general group of enumeratio, [1] in which the statements made previously are presented again in a compact, forceful manner. Accumulatio describes a gathering of either praise or criticism to emphasize previous discourse. [2] It often uses a climax for the summation of a speech. [3]
Personification – a figure of speech that gives human characteristics to inanimate objects, or represents an absent person as being present. For example, "But if this invincible city should now give utterance to her voice, would she not speak as follows?" (Rhetorica ad Herennium) Petitio – in a letter, an announcement, demand, or request.
Quintilian saw rhetoric as the science of the possible deviation from a given norm, or from a pre-existing text taken as a model. Each variation can be seen as a figure (figures of speech or figures of thought). [4] From this perspective, Quintilian famously formulated four fundamental operations according to the analysis of any such variation.
Rule of thumb: Every Oscar speech should start with at least 20 seconds of gleeful hyperventilating. Taking best supporting actress for “The Piano,” 11-year-old Anna Paquin spent most of her ...
The second example pairs a gerund with a regular noun. Parallelism can be achieved by converting both terms to gerunds or to infinitives. The final phrase of the third example does not include a definite location, such as "across the yard" or "over the fence"; rewriting to add one completes the sentence's parallelism.
We go through a lot of nuts in my house. My husband adds walnuts, almonds and pecans to his oatmeal and chia pudding, plus we snack on pistachios, cashews and mixed nuts.I always get them at ...