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A mansard roof on the Château de Dampierre, by Jules Hardouin-Mansart, great-nephew of François Mansart. A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows.
The mansard roof, a defining feature of Second Empire design, had evolved since the 16th century in France and Germany and was often employed in 18th- and 19th-century European architecture. Its appearance in the United States was relatively uncommon in the 18th and early 19th centuries.
It was so named for the architectural elements in vogue during the era of the Second French Empire. [6] As the Second Empire style evolved from its 17th-century Renaissance foundations, it acquired a mix of earlier European styles, most notably the Baroque, often combined with mansard roofs and/or low, square-based domes. [7]
The steep slope may be curved. An element of the Second Empire architectural style (Mansard style) in the U.S. Neo-Mansard, Faux Mansard, False Mansard, Fake Mansard: Common in the 1960s and 70s in the U.S., these roofs often lack the double slope of the Mansard roof and are often steeply sloped walls with a flat roof. Unlike the Second Empire ...
Portrait of Jules Hardoun Mansart by Hyacinthe Rigaud, with Les Invalides in background. Jules Hardouin-Mansart (French pronunciation: [ʒyl aʁdwɛ̃ mɑ̃saʁ]; 16 April 1646 – 11 May 1708) was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the ...
Following allegations of profligacy in the management of the project's costs, he was replaced with a more tractable architect, who largely followed Mansart's design. In the 1650s, Mansart was targeted by political enemies of the prime minister Cardinal Mazarin, for whom Mansart frequently worked. In 1651, they published "La Mansarade", a ...
But the most striking feature borrowed from this period is the steep, boxy mansard roof. You can recognize a mansard roof by its trapezoid shape. Unlike a triangular gable, a mansard roof is almost vertical until the very top, when it abruptly flattens. This singular roofline creates a sense of majesty, and also allows more usable living space ...
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