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Lighthouse Christian Church never charged an admission price as The Promise was always considered "a gift to the community". It is estimated that over 50,000 people had seen the show over the 22-year span. Since 1990 The Promise was performed at Queensway Cathedral in Toronto, Ontario, and was known locally as the Toronto Passion Play.
For plays about Christianity or Christian characters, but not necessarily from a Christian perspective, see Category:Plays about Christianity Subcategories This category has the following 2 subcategories, out of 2 total.
Godspell is a musical in two acts with music and lyrics by Stephen Schwartz and a book by John-Michael Tebelak. [1] The show is structured as a series of parables, primarily based on the Gospel of Matthew, interspersed with music mostly set to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end.
In Bloomington, Illinois, The American Passion Play has been portrayed annually since 1924 at the Bloomington Center for the Performing Arts and is one of the oldest continuously running passion Plays in North America. This play is unique in that it dramatizes Jesus' entire ministry, rather than only the events from Passion Week onward. [62 ...
T. S. Eliot's play Murder in the Cathedral explored Christian themes of martyrdom and sacrifice, as well as church history. In the 1970s, many plays were produced dealing with Christian subjects, notably Jesus Christ Superstar and Godspell. At approximately the same time, many churches were again turning to drama as a means of outreach, and as ...
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The Martin Luther King Jr. Performing and Cultural Arts Complex is a historic building in the King-Lincoln Bronzeville neighborhood of Columbus, Ohio.It was built in 1925 as the Pythian Temple and James Pythian Theater, and was added to the National Register of Historic Places and Columbus Register of Historic Properties in 1983.
The public reaction to the series is described by J. W. Welch, the Director of Religious Broadcasting B.B.C., in his foreword to the play scripts. These were first published in 1943, [ 2 ] with Sayers' lengthy introduction, illuminating her attitude to the work and the reasoning behind particular aspects of her dramatisation, and with notes and ...
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