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The Basement Tapes is the sixteenth album by the American singer-songwriter Bob Dylan and his second with the Band.It was released on June 26, 1975, by Columbia Records.Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of Blonde on Blonde and the subsequent ...
Subsequent to the official 1975 release, more than 100 recordings from the Basement Tapes began to circulate in bootleg form, catalogued by Greil Marcus in his book Invisible Republic: Bob Dylan's Basement Tapes (1997), [22] and by Sid Griffin in Million Dollar Bash: Bob Dylan, the Band, and the Basement Tapes (2007). [23]
The Bootleg Series Volumes 1–3 is a box set by Bob Dylan issued on Columbia Records.It is the first installment in Dylan's Bootleg Series, comprising material spanning the first three decades of his career, from 1961 to 1989.
The label was responsible for many underground records of Bob Dylan, Pink Floyd, Led Zeppelin, Jefferson Airplane, Devo, Grateful Dead, The Beatles, Frank Zappa, The Rolling Stones, The Who and many other rock artists of the era. Trade Mark of Quality was established in 1970 by "Dub" Taylor and Ken Douglas.
Dylan recorded his debut album, Bob Dylan, for Columbia Records in November 1961, when he was 20. [5] The album included two original tracks, "Song to Woody" and "Talkin' New York", the first songs he had written after arriving in New York City's Greenwich Village in January 1961.
In the early black-and-white episodes, it was played more slowly with a degree of sadness. There were also two different additional theme songs for reruns of the original French version; the first, "C'est moi, Pollux" (1983), was a moderately popular single in France, while the theme from 1990 was an upbeat Hammond organ pop tune with children ...
Bob Dylan bootleg recordings are unreleased performances by American singer-songwriter Bob Dylan, that have been circulated throughout the public without undergoing an official, sanctioned release. It is commonly misconceived that bootlegs are only restricted to audio, but bootleg video performances, such as Dylan's 1966 film Eat the Document ...
The album was nicknamed the "great white wonder" due to the original pressing's plain white gatefold cover; newer pressings contain the name stamped on. This name—or variations, such as "white wonder", [1] "little white wonder"—would surface in later bootleg releases or in the initials "G.W.W." that were printed on record labels or covers.