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Tortoise" or "Ikaki" is the most commonly produced motif and pattern.The main motif, ikaki, imagined as a tortoise here, is based on Ijebu Yoruba prestige cloth, Aso-olona. [8] Traditionally, it was created solely for royalty; [ 12 ] anyone who wore Ikaki that was not royal would be sold into slavery.
Aso Oke sewn into Agbada outfit and Fila Traditional Yoruba women's garment. Aso oke fabric, (Yoruba: aṣọ òkè, pronounced ah-SHAW-okay) is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo.
Yoruba Woman in Aso oke Ewe Kente. Asante Kente: [8] [9] [10] The Asante were the dominant people of West Africa's Gold Coast, present-day Ghana. Controlling the only source of gold available, the Asante traded with other African states and later with Europeans after contact with the Portuguese in the 15th century. With their wealth and a rich ...
Bazin (or basin) is a West African fabric with its origin in Europe imported in Mali, made from hand-dyed cotton, resulting in a damask textile known for its stiffness and vibrant sheen. It is primarily recognized as the most commonly used fabric for crafting a Boubou , a long, loose traditional outerwear worn by both men and women ...
African formal clothing has normalized western clothing conventions and styles. European influence is commonly found in African fashion as well. For example, Ugandan men have started to wear "full length trousers and long-sleeved shirts". On the other hand, women have started to adapt influences from "19th-century Victorian dress". These styles ...
The designs and motifs in kente cloth are traditionally abstract, but some weavers also include words, numbers and symbols in their work. [3] Example messages include adweneasa , which translates as 'I've exhausted my skills', is a highly decorated type of kente with weft -based patterns woven into every available block of plain weave.
African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
Yoruba women's clothing is not only a form of dressing but also a form of expression and identity. The clothing reflects the personality, mood, taste, and creativity of the wearer. The clothing also conveys messages about the social status, marital status, age group, religious affiliation, and cultural affiliation of the wearer.