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The camera obscura was well known for centuries and documented by Ibn al-Haitham in his Book of Optics of 1011–1021. In 13th-century England Roger Bacon described the use of a camera obscura for the safe observation of solar eclipses, exactly because the viewer looks at the projected image and not the sun itself.
A camera obscura (pl. camerae obscurae or camera obscuras; from Latin camera obscūra 'dark chamber') [1] is the natural phenomenon in which the rays of light passing through a small hole into a dark space form an image where they strike a surface, resulting in an inverted (upside down) and reversed (left to right) projection of the view outside.
The name "camera lucida" (Latin for 'light chamber') is intended to recall the much older drawing aid, the camera obscura (Latin for 'dark chamber'). There is no optical similarity between the devices. The camera lucida is a lightweight, portable device that does not require special lighting conditions. No image is projected by the camera lucida.
Early pinhole camera. Light enters a dark box through a small hole and creates an inverted image on the wall opposite the hole. [8]The first known description of pinhole photography is found in the 1856 book The Stereoscope by Scottish inventor David Brewster, including the description of the idea as "a camera without lenses, and with only a pin-hole".
Projection of images can occur naturally when rays of light pass through a small hole and produce an inverted image on a surface in a dark area behind the hole. This phenomenon is known as camera obscura or pinhole image. Its oldest known recorded description is found in Chinese Mohist writings dated to circa 400 BCE. [5]
Archaeo-optics, or archaeological optics, is the study of the experience and ritual use of light by ancient peoples.Archaeological optics is a branch of sensory archaeology, which explores human perceptions of the physical environment in the remote past, and is a sibling of archaeoastronomy, which deals with ancient observations of celestial bodies, and archaeological acoustics, which deals ...
Demonstration of camera obscura. The original image gets rotated and reversed through a small hole onto an opposite surface. Niépce captured the scene with a camera obscura projected onto a 16.2 cm × 20.2 cm (6.4 in × 8.0 in) pewter plate thinly coated with bitumen of Judea, a naturally occurring asphalt. [9]
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