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During the Vietnam Era, the U.S. Army Chief of Military History asked Marian McNaughton, then Curator for the Army Art Collection, to develop a plan for a Vietnam soldier art program. The result was the creation in 1966 of the U. S. Army Vietnam Combat Art Program under the direction of the Office of Chief of Military History and McNaughton's ...
[1] [2] When the War Art Units were dissolved, Technical Sgt. Manuel Bromberg was reassigned to the Historical Section in London and could continue creating images of the war. He was one of the uniformed artists who formed the nucleus of an Army Combat Art Program within the Historical Branch of the War Department in 1944. [3]
The earliest war art in Canada was rock art created by Indigenous peoples from all regions of the country. [83] During the colonial period, large-scale, European-style paintings of war dominated New France and British North America. [83] The First and Second World Wars saw a dramatic increase in the production of war art in every medium. [83]
Edward Ardizzone's pictures concentrated entirely on soldiers relaxing or performing routine duties, and were praised by many soldiers: "He is the only person who has caught the atmosphere of this war" felt Douglas Cooper, the art critic and historian, friend of Picasso, and then in a military medical unit. [48]
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A war artist will have depicted some aspect of war through art; this might be a pictorial record or it might commemorate how war shapes lives. [3] A war artist creates a visual account of war by showing its impact as men and women are shown waiting, preparing, fighting, suffering and celebrating. [4]