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The lotus motif is the most common design found in kanthas. This motif is associated with Hindu iconography and is therefore very popular in kantha. The lotus is the divine seat and is symbolic of cosmic harmony and essential womanhood. It also represents the eternal order and the union of earth, water, and sky.
Kantha, also spelled kanta or qanta, is a type of embroidery craft in Bangladesh and eastern regions of India, particularly in the Indian states of West Bengal, Tripura and Odisha. In Odisha, old saris are stacked on each other and hand-stitched to make a thin piece of cushion .
The materials used in making this product now are expensive pieces of cotton such as "Salita" or a cheaper variety of white or coloured marking, Tussar silk, casement cloth, and embroidery threads such as moon thread or rangoli or anchor thread. The motifs are designed by the women sewing the quilt, usually of their choice. The embroidery is ...
Modern Naksi kantha. Naksha is embroidery on many layers of cloth (like quilting), with running stitch. It is also known as dorukha which mean the designs/motifs are equally visible in both sides: there is no right or wrong side so both side are usable. Traditionally, worn out clothes and saris were piled together and stitched into quilts.
Kasuti embroidery work on Ravike ca. 1855–1879. Kasuti (Kannada: ಕಸೂತಿ) is a traditional form of folk embroidery practised in the state of Karnataka, India. [1] Kasuti work which is very intricate sometimes involves putting up to 5,000 stitches by hand and is traditionally made on dresswear like Ilkal sarees, Ravike/Kuppasa(Khana ...
Toda embroidery, also locally known as "pukhoor", [1] is an art work among the Toda pastoral people of Nilgiris, in Tamil Nadu, made exclusively by their women. [1] The embroidery, which has a fine finish, appears like a woven cloth [2] but is made with use of red and black threads with a white cotton cloth background.
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