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The dance is thought to have the power to purge the women of harmful energy and restore their cosmic equilibrium. The "djembe", a kind of West African drum, is generally used to open a Moribayassa performance. The beat begins slowly and then picks up tempo and intensity as the dance moves forward.
As people were taken from Africa to be sold as slaves, especially starting in the 1500s, they brought their dance styles with them. Entire cultures were imported into the New World, especially those areas where slaves were given more flexibility to continue their cultures and where there were more African slaves than Europeans or indigenous Americans, such as Brazil.
It is also known in some other West African countries. This name is also used to refer to different percussion patterns in African music, some of which are individual variations, and some differ significantly: some of them being in 6 8 and 12 8, while others in 4 4 time. Kakilambe is a dance as a symbol of the celebration of growth of crops ...
Agbekor (agbekÉ”) is a type of music and a style of dance by the West African peoples of Ewe and Fon. It is an ancient dance once known as Atamga, Ga meaning 'great', Atam meaning 'oath'. It is now performed by the people of Dzogadze, a farming community near Akatsi in the Southern part of the Volta Region of Ghana.
Guinean musician Fodéba Keïta incorporated use of the djembe throughout the 1950s worldwide tour of his dance company, Les Ballets Africains, which performed various traditional West African songs and dances. This considerably increased knowledge of the djembe and other West African instruments throughout Europe and Asia. [24] [22]
The Orisha, Moko, comes from the various African cultures such as the Kongo (or Congo) and Nigeria, and from the Maasai people. He was revered as a guardian figure in African villages, whose towering stature granted him the ability to perceive malevolence before it was visible to ordinary individuals.
Ghanaian master drummer C. K. Ladzekpo states that kpanlogo "is essentially an urban youth dance-drumming and a symbol of the commitment of a rapidly growing Ghanaian urban neighborhood youth in advocating their perspective in shaping the political vision of post colonial Africa" (1995: web). [2]
Agbadza is an Ewe music and dance that evolved from the times of war into a very popular recreational dance. [1] It came from a very old war dance called Atrikpui and usually performed by the Ewe people of the Volta Region of Ghana, particularly during the Hogbetsotso Festival, a celebration by the Anlo Ewe people. In addition, it is also ...