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Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]
The Oxford English Dictionary defines hallelujah as “a song or shout of praise to God,” but biblical scholars will tell you it’s actually a smash-up of two Hebrew words: “hallel” meaning ...
Hallelujah: Leonard Cohen, A Journey, A Song, from filmmakers Dan Geller and Dayna Goldfine stresses that many artist cover the poplar tune, like Jeff Buckley, ultimately the Canadian artist is ...
The songs on the album encompass a variety of musical genres, with elements of folk, blues, psychedelia, and hard rock. [11] The "riff-heavy" nature of tracks such as "Locomotive Breath", "Hymn 43" and "Wind Up" is regarded as a factor in the band's increased success after the release of the album, with Jethro Tull becoming "a major arena act" and a "fixture on FM radio" according to AllMusic.
The song was the subject of a 2012 book, The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of 'Hallelujah'; author Alan Light said that Cohen's "approach to language and craft feel unlike the work of anybody else. They sound rooted in poetry and literature because he studied as a poet and a novelist first."
Louder magazine praised the song for "providing the light relief" on the album, amongst songs like "Locomotive Breath" and the title track. [8] Anderson made a similar point in an interview, noting the combination of the "amusing surreal moments" of acoustic songs like "Mother Goose" and "Up to Me" balanced with the album's more "dramatic ...