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The dream vision or visio is a major literary device in early medieval literature, especially but not only in the genre of visionary literature. [ 1 ] [ 2 ] Amy Amendt-Raduege writes that medieval dream visions, such as those of Geoffrey Chaucer , or those in the Chanson de Roland , the Roman de la Rose , and Sir Gawain and the Green Knight ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In 1990 Dutch composer Jurriaan Andriessen set the poem to a mixed chamber choir setting. Rufus Wainwright's "Sonnet 43", the sixth track on his album All Days Are Nights: Songs for Lulu (2010), is a musical setting of the sonnet. In 2004 Flemish composer Ludo Claesen set this poem to a setting for chamber music (flute, piano and soprano-solo).
While dreams occur frequently throughout the history of literature, visionary literature as a genre began to flourish suddenly, and is especially characteristic in early medieval Europe. [1] In both its ancient and medieval form, the dream vision is often felt to be of divine origin.
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
Fastitocalon, the central character in the poem, is the last of the mighty turtle-fish. This poem is well known to the Hobbits. It tells of how Fastitocalon's huge size, a "whale-island", [5] enticed sailors to land on its back. After the sailors lit a fire upon Fastitocalon, it dived underwater, causing the sailors to drown.
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
The Phoenix and the Turtle (also spelled The Phœnix and the Turtle) is an allegorical poem by William Shakespeare, first published in 1601 as a supplement to a longer work, Love's Martyr, by Robert Chester. The poem, which has been called "the first great published metaphysical poem", [1] has many conflicting interpretations. [2]