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Orphic Hymn 71 is addressed to Melinoe, and describes her as follows (in the translation by Apostolos Athanassakis and Benjamin M. Wolkow): I call upon Melinoë, saffron-cloaked nymph of the earth, whom revered Persephone bore by the mouth of the Kokytos river upon the sacred bed of Kronian Zeus.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [32]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [33] which sits above the proem in the surviving manuscripts of the collection; [34] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...
Whilst I alone did call upon thy aid My verse alone had all thy gentle grace; But now my gracious numbers are decayed, And my sick Muse doth give another place. I grant, sweet love, thy lovely argument Deserves the travail of a worthier pen; Yet what of thee thy poet doth invent He robs thee of, and pays it thee again;
Featured in ancient Greek literature, from poems to plays, the Erinyes form the Chorus and play a major role in the conclusion of Aeschylus's dramatic trilogy the Oresteia. In the first play, Agamemnon , King Agamemnon returns home from the Trojan War , where he is slain by his wife, Clytemnestra , who wants vengeance for her daughter Iphigenia ...
Spenser is seen as one of the greatest poets of all time, and this poem is regarded as one of the best written in the English language. [ 5 ] Spenserian sonnets were created during the same time period as the Shakespearean sonnet , and so there are similarities in the features of both forms.
Titlepage to 1645 Poems, with frontispiece depicting Milton surrounded by four muses, designed by William Marshall. Milton's 1645 Poems is a collection, divided into separate English and Latin sections, of John Milton's youthful poetry in a variety of genres, including such notable works as An Ode on the Morning of Christ's Nativity, Comus and Lycidas.
A Hundred Thousand Billion Poems or One hundred million million poems (original French title: Cent mille milliards de poèmes) is a book by Raymond Queneau, published in 1961. The book is a set of ten sonnets printed on card with each line on a separate strip.
The sonnet exhibits some metrical variations, for example, an initial reversal in the 2nd line: / × × / × / × / × / Knowing a better spirit doth use your name, (80.2) Reversals can also occur mid-line, as occurs in line 5; and some may be optional, as the possible initial reversals in lines 1 and 13.