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The Asante in Ghana use non-figurative patterns representing proverbs while the Ewes [25] use figurative weft patterns also representing proverbs. The Yoruba introduce rows of holes lengthwise in the woven cloth strip. Beadwork is common in East Africa and Southern Africa although it is still used in other parts of Africa including Nigeria and ...
These well-known patterns are not decorative, they are graphic patterns in a system of writing that can be read by anyone in the community who has been initiated. They include black-and-white checkerboards, that look like a target, zig-zag patterns that represent the path of the ancestors, X patterns, and crescents.
At the beginning of house painting, their symbols and patterns were often based on Ndebele's beadwork. The patterns were tonal and painted with the women's fingers. The original paint on the house was a limestone whitewash. The colors added to make the paintings were mostly natural pigments consisting of browns, blacks, and others.
the pattern was stamped on paper and hung above the lintel of a door in the palace. The King of Asante used to touch lintel, then his forehead, then his breast, repeating these words three times [21] 74 Nyame dua: an altar to the Sky God [21] 76 Nyame nwu na ma wu: May Nyame die before I die [21] Non listed Obi nka obie: I offend no one without ...
African masks often represent a spirit and it is strongly believed that the spirit of the ancestors possesses the wearer. Most African masks are made with wood, and can be decorated with: Ivory, animal hair, plant fibers (such as raffia), pigments (like kaolin), stones, and semi-precious gems also are included in the masks.
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Kente patterns vary in complexity, with each pattern having a name or message by the weaver. Ghanaians choose kente cloths as much for their names as their colors and patterns. Although the cloths are identified primarily by the patterns found in the lengthwise (warp) threads, there is often little correlation between appearance and name.