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African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States.It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies.
Master Juba from American Notes. The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks . "Pattin' Juba" would be used to keep time for other dances during a walkaround.
The Spirit Moves: A History of Black Social Dance on Film, 1900–1986 is a documentary film by Mura Dehn chronicling the evolution of African-American social dance throughout most of the 20th century. In its original form it consists of nearly six hours of rare archival footage shot over the course of thirty years.
The most iconic among the various styles of swing dance is the Lindy Hop, which originated in Harlem and is still danced today. While the majority of swing dances began in African-American communities as vernacular African-American dances, [3] some forms, like Balboa, developed within Euro-American or other ethnic group communities.
The dance tradition of stepping draws from a variety of roots in American and African culture but was fostered and popularized by African American fraternities and sororities, beginning in the 1900s. These groups participate in stepping as a form of competition between one another, but also with cooperative spirit, such that groups from ...
Over the last decade, Black women have made some major strides in dance. In 2015, Misty Copeland made history when she became the first Black principal dancer in the American Ballet Theatre’s 75 ...
The cakewalk was influenced by the ring shout, which survived from the 18th into the 20th century. [5] This dance style was often part of African American slaves' religious ceremonies and involved shuffling the feet counterclockwise in a circle (ring) formation and reciting spirituals in a call-and-response format with others outside of the ring.
Portrait of Boz's Juba from an 1848 London playbill. Master Juba (ca. 1825 – ca. 1852 or 1853) was an African-American dancer active in the 1840s. He was one of the first black performers in the United States to play onstage for white audiences and the only one of the era to tour with a white minstrel group.