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Digital storytelling is a short form of digital media production that allows everyday people to create and share their stories online. The method is frequently used in schools, [ 1 ] [ 2 ] [ 3 ] museums, [ 4 ] libraries, [ 5 ] social work and health settings, [ 6 ] [ 7 ] and communities. [ 8 ]
In his book, You’re Gonna Need a Bigger Story, Houston Howard describes transmedia storytelling as “the art of extending a story across multiple mediums and multiple platforms in a way that creates a better business model for creators and a better experience for the audience.” [19]
Such stories are usually published as software on CD-ROMs. They have also been referred to as computer books [1], picture book programs, [1] books-on-disk, [2] talking books, [3] [4] or living books. [4] This software is targeted at young readers (usually kindergarten to second grade) for educational purposes.
Interactive storytelling (also known as interactive drama) is a form of digital entertainment in which the storyline is not predetermined. The author creates the setting, characters, and situation which the narrative must address, but the user (also reader or player) experiences a unique story based on their interactions with the story world.
In self publishing, authors publish their own book. It is possible for an author to single-handedly carry out the whole process. However increasingly, authors are recognizing that to compete effectively, they need to produce a high quality product, and they are engaging professionals for specific services as needed (such as editors or cover designers). [3]
Hypertext fiction is characterized by networked nodes of text making up a fictional story. There are often several options in each node that directs where the reader can go next. Unlike traditional fiction, the reader is not constrained by reading the fiction from start to end, depending on the choices they make.
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