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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The subject of The Trinity received various interpretations at different time periods, but by the 19th–20th century the consensus among scholars was the following: the three angels who visited Abraham represented the Christian Trinity, "one God in three persons" – the Father, the Son (Jesus Christ), and the Holy Spirit. [12] Art critics ...
The Trinity in art; A. Adoration of the Trinity; ... Madonna and Child with the Holy Trinity and Two Saints; Holy Trinity (Masaccio) Mystical Nativity (Filippo Lippi) N.
The Heavenly and Earthly Trinities (also known as The Two Trinities or The Pedroso Holy Family) is an oil painting on canvas of c. 1675–1682 by the Spanish artist Bartolomé Esteban Murillo in the National Gallery, London.
The iconography of the Trinity, flanked by Mary and John or including donors, is not uncommon in Italian art of the late 14th and early 15th centuries, and the association of the Trinity with a tomb also has precedents. No precedent for the exact iconography of Masaccio's fresco, combining all these elements, has been discovered, however.
The "New Testament Trinity" depicts the Father, the Son and the Holy Spirit distinctly, and although far more familiar from Western models, is actually of Greek origin. Christ may be shown either as an adult, (in this case he is sitting to the right of his Father) or as an infant sitting on his Father's knees, which is the norm in early Greek ...
The Gonzaga Family in Adoration of the Holy Trinity (also, The Trinity Adored by the Gonzaga Family or The Gonzaga Trinity) is a painting by the Flemish artist Peter Paul Rubens, housed in the Ducal Palace in Mantua, Italy. The work was commissioned by Duke Vincenzo I Gonzaga for the Jesuit church in Mantua, while Rubens was his court painter.
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
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