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Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26]
The opium lamp's distinctive chimney was made from glass. Inexpensive lamps made entirely of molded glass were mass-produced and pieces of them are commonly found at historic Chinese settlements, such as the sites of former Chinese camps in the California goldfields. Examples of opium lamps crafted from Peking glass are sought after by ...
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An Argand lamp in use in A Portrait of James Peale, done in 1822 by Charles Willson Peale Argand lamp with circular wick and glass chimney. Illustration from Les Merveilles de la science (1867–1869) by Louis Figuier. The Argand lamp is a type of oil lamp invented in 1780 by Aimé Argand.
From the beginning of the Moundsville operations until about 1915, Fostoria focused on oil lamps and products for restaurants and bars—especially stemware and tumblers. [21] In 1915, Fostoria introduced its American pattern (pattern number 2056). This glass pattern was used for stemware and tableware, and continued to be produced until 1988. [64]
A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]
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