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Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting.
First the background is captured without actors or other foreground elements; then the scene is recorded. The image of the background is used to cancel the background in the actual footage; for example in a digital image, each pixel will have a different chroma key. This is sometimes referred to as a difference matte. [17]
Tintype portrait in a paper mat, taken at Pease's Nantasket Tintype Gallery, circa 1900. There are two historic tintype processes: wet and dry. In the wet process, a collodion emulsion containing suspended silver halide crystals had to be formed on the plate just before it was exposed in the camera while still wet.
Duvetyne, or duvetyn, [1] [2] (also known as Molton and Rokel [3] [4]) is a twill fabric with a velvet-like nap on one side. Duvetyne has a matte finish and its high opacity makes it ideal for blocking light. It may be woven from cotton, wool, or—in rare cases, mainly in the early 20th century—silk. If made of cotton, it is usually called ...
Negro cloth or Lowell cloth was a coarse and strong cloth used for slaves' clothing in the West Indies and the Southern Colonies. [1] [2] [3] The cloth was imported from Europe (primarily Wales) in the 18th and 19th centuries. [4] [5] The name Lowell cloth came from the town Lowell in Massachusetts, United States, where the cloth was produced. [6]
Chintz jacket and neckerchief with glazed printed cotton petticoat. 1770–1800. MoMu, Antwerp.. Chintz (/ tʃ ɪ n t s / [1]) is a woodblock printed, painted, stained or glazed calico textile that originated in Golconda (present day Hyderabad, India) in the 16th century.
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