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Sometimes the libretto is written in close collaboration with the composer; this can involve adaptation, as was the case with Rimsky-Korsakov and his librettist Vladimir Belsky, or an entirely original work. In the case of musicals, the music, the lyrics and the "book" (i.e., the spoken dialogue and the stage directions) may each have its own ...
His published works on music theory changed over time, and became more aligned with Schopenhauer's thought, over the course of his life. Schopenhauer had stated that music was more important than libretto in opera. [citation needed] Music is, according to Schopenhauer, an immediate expression of will, the basic reality of the experienced world ...
Tod Machover in Barcelona 2007. Tod Machover (born November 24, 1953, in Mount Vernon, New York), is a composer and an innovator in the application of technology in music.He is the son of Wilma Machover, a pianist and Carl Machover, a computer scientist.
The libretto is structured in three parts, the first dealing with the Creation of the universe and the plants, the second with the Creation of the animals, and of man and woman, and the third with Adam and Eve in Paradise, showing an idealized love in harmony with the "new world". [1] [2]
The Toronto School is a school of thought in communication theory and literary criticism, the principles of which were developed chiefly by scholars at the University of Toronto. It is characterized by exploration of Ancient Greek literature and the theoretical view that communication systems create psychological and social states. [1]
Since 2001 [16] Grove Music Online has served as a cornerstone of Oxford University Press's larger online research tool Oxford Music Online, which remains a subscription-based service. [17] As well as being available to individual and educational subscribers, it is available for use at many public and university libraries worldwide, through ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Cognitive Surplus: How Technology Makes Consumers into Collaborators is a 2010 non-fiction book by Clay Shirky, originally published in with the subtitle "Creativity and Generosity in a Connected Age". The book is an indirect sequel to Shirky's Here Comes Everybody, which covered the impact of social media.