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The Addiction is a 1995 American vampire horror film directed by Abel Ferrara and written by Nicholas St. John.Starring Lili Taylor, Christopher Walken, Annabella Sciorra, Edie Falco, Paul Calderón, Fredro Starr, Kathryn Erbe, and Michael Imperioli, the film follows a philosophy graduate student who is turned into a vampire after being bitten by a woman during a chance encounter on the ...
Abel Ferrara ([ferˈraːra]; born July 19, 1951) [1] is an American filmmaker, actor, musician, and songwriter. He is best known for the provocative and often controversial content in his movies and his use and redefinition of neo-noir imagery.
Bad Lieutenant is a 1992 American crime film directed by Abel Ferrara. The film stars Harvey Keitel as the title character "bad lieutenant" as well as Victor Argo and Paul Calderón. The screenplay was co-written by Ferrara with actress-model Zoë Lund, both of whom appear in the film in minor roles.
King of New York is a 1990 neo-noir [4] crime film [1] directed by Abel Ferrara and written by Nicholas St. John.It stars Christopher Walken, Laurence Fishburne, David Caruso, Victor Argo and Wesley Snipes, with supporting roles played by Giancarlo Esposito, Steve Buscemi, Paul Calderón, Janet Julian and Theresa Randle.
Utilizing a film-within-a-film format, the overall plot involves New York City-based director Eddie Israel directing actors Sarah Jennings and Frank Burns in a Hollywood marital-crisis drama, Mother of Mirrors, which is about a formerly wealthy but unemployed husband who berates his newly religious wife about what he considers her hypocritical aversion to their sex-and-drug lifestyle.
Abel Ferrara is set to begin production on his latest feature, “American Nails,” a modern gangster story inspired by ancient tragedy that stars Asia Argento and Willem Dafoe, Variety has learned.
Screenwriter William Finkelstein submitted the original draft of the screenplay to Herzog with the title "Bad Lieutenant." Finkelstein was aware of the 1992 Abel Ferrara film of that name, but swore to Herzog that this would not be a remake, and the director insisted on renaming the film.
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag. The moment reminds his father of Patrick’s graduation from college, and he takes a picture of his son with his cell phone.