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Danilo I Petrović-Njegoš (Serbian Cyrillic: Данило I Петровић-Његош; 25 May 1826 – 13 August 1860) was the ruling Prince of Montenegro from 1851 to 1860. The beginning of his reign marked the transition of Montenegro from a traditional theocratic form of government ( Prince-Bishopric ) into a secular Principality .
The Master and Margaret (Serbo-Croatian: Мајстор и Маргарита, Majstor i Margarita, Italian: Il maestro e Margherita) is a 1972 Italian-Yugoslav film directed by Aleksandar Petrović, loosely based on Mikhail Bulgakov's 1940 novel of the same name, although it mainly focuses on the parts of the novel set in 1920s Moscow.
During the Balkan Wars and World War I he led the Montenegrin Army with his father (the King), Janko Vukotić, and Mitar Martinović.On 1 March 1921 Danilo was proclaimed the rightful King of Montenegro (upon the death of his father) and became head of the government-in-exile until 7 March 1921 when, for reasons that are still unclear, Danilo renounced his royal claims and headship of the ...
Typical "film noire" [1] plot of the film is not the main message of the film. The film is about fighting good against evil, and how criticism of government by Petrović reached another level as battle between good, in the character of mentally challenged Goca, and evil, in most of the characters in the film.
Danilo Šćepčević was born in Njeguši, the son of Stepan or Šćepan Kaluđerović, a merchant, and Ana, who later became a nun. [1] He had a brother, Radul, known as Rade Šćepčev. [2] His paternal family belonged to the Heraković brotherhood. [3] As a fifteen-year-old, he was a witness to the battle of Vrtijeljka (1685). [4]
Danilo Petrović-Njegoš may refer to: Danilo I, Metropolitan of Cetinje (1670–1735), Metropolitan of Cetinje Danilo I, Prince of Montenegro (1826–1860), ruling Prince of Montenegro
And Love Has Vanished (Serbian: Dvoje) is a 1961 Yugoslavian drama film directed by Aleksandar Petrović. It was entered into the 1962 Cannes Film Festival. [1]
Aleksandar "Saša" Petrović was another of the major figures of the Black Wave. He contributed to the popularization of the movement, both in Yugoslavia and abroad. Two of his works were nominated for the Academy Award for Best Foreign Language Film: Three (1965) in 1966 [15] [16] and I Even Met Happy Gypsies in 1967. [17] [18]