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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism.
Walton's work included fireplaces, stencilled wall murals and stained glass panels for the doors. In the luncheon room the murals and door panels had a rose pattern theme. The furniture was designed by Mackintosh, introducing for the first time his characteristic high-backed chairs. [14]
Poster by Frances MacDonald (1896). The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain.
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
The house was commissioned in 1900 by William Davidson, a provisions merchant, who was Mackintosh's friend and patron. [1] Mackintosh not only designed the Art Nouveau-style house, but also, with Macdonald, its decor, furniture and fittings, including fireplaces, panelling, stained glass and lights. [1]
One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.
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