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Some of his works' dates can be approximated due to their mention in his writings, necessitating them to have been written before that particular entry. For Blazhevich's more obscure works, such as Concerti No. 11, 12 and 13, they exist only in handwritten manuscript form, meaning their date of creation will never be known accurately. [1]
His earliest compositions known at least by name/type are student works from the mid-1940s (a clarinet sonata, a string quartet, a rhapsody for violin and orchestra and some art songs). They were written at the same time as he did his first work for the movies (1946) and his first jazz recordings (1945).
Below is a List of compositions by Bedřich Smetana sorted by genre, catalogue numbers, original and English titles. JB numbers are from Tematický katalog skladeb Bedřicha Smetany (Thematic Catalogue of Works by Bedřich Smetana) by Jiří Berkovec (Prague, 1999). B. numbers are from the catalogue by František Bartoš.
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
The following is a list of musical works by the English composer Arthur Sullivan, best known for his operatic collaborations with W. S. Gilbert. In all, Sullivan's artistic output included 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, one song cycle, incidental music to several plays, numerous hymns and ...
5: 1897: Clear and Cool: for mixed chorus and orchestra: words by Charles Kingsley: Choral: 40: 1898: Clouds o'er the Summer Sky, Canon: for female chorus (2 sopranos) and piano: words by Fritz Hart: Choral: 1899: Autumn Song: for female chorus a cappella: words by Francis Thompson; also for mixed chorus a cappella, Op. 9a No. 2 Choral: 48: 9a ...
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Contributions of 5 variations and a waltz to the Paraphrases, a collection of pieces by Borodin, Cui, Liadov, Liszt, Rimsky-Korsakov, and Nikolai Vladimirovich Shcherbachov (originally published in 1879, with pieces added later to total 24 variations and 17 other pieces); the two-finger theme of this work is known also as "Tati-tati" or a ...