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Some of his works' dates can be approximated due to their mention in his writings, necessitating them to have been written before that particular entry. For Blazhevich's more obscure works, such as Concerti No. 11, 12 and 13, they exist only in handwritten manuscript form, meaning their date of creation will never be known accurately. [1]
5 flats No well-known sets of 24 pieces include A# minor. Two examples are from Bartolomeo Campagnoli's 30 Preludes for violin, and Christian Heinrich Rinck's 30 Préludes from his Practical Organ School, Op. 55, published before 1821. or A# minor: 7 sharps 23 Either B major: 5 sharps No well-known sets of 24 pieces include C♭ major.
49 Works for violin and orchestra, including 21 concertos, and 28 shorter works; 2 Concertos for 2 violins; Julius Röntgen. Violin Concerto in A minor (1902) Violin Concerto in D major (1925/26) Violin Concerto in F-sharp minor (1931) Amanda Röntgen-Maier. Violin Concerto in D minor in one movement (1875) Ned Rorem. Violin Concerto (1984 ...
His earliest compositions known at least by name/type are student works from the mid-1940s (a clarinet sonata, a string quartet, a rhapsody for violin and orchestra and some art songs). They were written at the same time as he did his first work for the movies (1946) and his first jazz recordings (1945).
A majority of the unpublished works are found in private partbooks collections. A number of 5- and 6-voice works found in the Baldwin Partbooks are rendered incomplete, as the Tenor partbook has been lost. for 3 voices: Sanctus (authenticity uncertain) for 4 voices: Alleluia. Confitemini Domino; Christe qui lux es; for 5 voices: Audivi vocem a5
A chronology of works is especially difficult because of missing and sometimes misleading dates; [1] as Elliott Carter put it in 1939: "[Ives] has rewritten his works so many times, adding dissonances and polyrhythms, that it is impossible to tell just at what date the works assumed the surprising form we know now." [2]
Three Easy Pieces (1. Round in A minor, 2. Duo in G major, 3. Infinite canon in F minor), for piano (1933) Three Songs for voice and piano, (1932–33) Sonata for Clarinet (1933) Sonata for Two Voices, for two instruments with specified ranges (1933) Composition for 3 Voices for three unspecified instruments (1934)
Contributions of 5 variations and a waltz to the Paraphrases, a collection of pieces by Borodin, Cui, Liadov, Liszt, Rimsky-Korsakov, and Nikolai Vladimirovich Shcherbachov (originally published in 1879, with pieces added later to total 24 variations and 17 other pieces); the two-finger theme of this work is known also as "Tati-tati" or a ...
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