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Some of his works' dates can be approximated due to their mention in his writings, necessitating them to have been written before that particular entry. For Blazhevich's more obscure works, such as Concerti No. 11, 12 and 13, they exist only in handwritten manuscript form, meaning their date of creation will never be known accurately. [1]
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
This is a list of compositions by Carl Czerny. Czerny composed a large number of pieces (up to Op. 861), including piano music (études, nocturnes, 11 sonatas, opera theme arrangements and variations) and also masses and choral music, 6 symphonies, concertos, songs, string quartets and other chamber music.
A majority of the unpublished works are found in private partbooks collections. A number of 5- and 6-voice works found in the Baldwin Partbooks are rendered incomplete, as the Tenor partbook has been lost. for 3 voices: Sanctus (authenticity uncertain) for 4 voices: Alleluia. Confitemini Domino; Christe qui lux es; for 5 voices: Audivi vocem a5
Set No. 7, Water Colors – projected or lost; Set No. 8, Songs Without Voices – projected only; Set No. 9 of Three Pieces (The Last Reader – The See'r – The Unanswered Question, 1934) Set No. 10 of Three Pieces (Like a Sick Eagle – Luck and Work – The Indians, 1934) Set for Theatre Orchestra (1915)
Year Op. M.S. catalog [1] Title Key Instruments Notes 1795 c. 1: Carmagnola con variazioni (Carmagnola variations) A: Violin / Guitar: 14 Variations on the French Hymn "Carmagnole"
Nos. 7~8 for equal voices and piano: poems from mediaeval Latin lyrics in translation by Helen Waddell: Choral: 188: 1932 "O Spiritual Pilgrim" for soprano and mixed chorus a cappella: words by James Elroy Flecker: Choral: 189: 1933: Come Live with Me: for 2 equal voices a cappella: words by Christopher Marlowe-1906: Folk Songs from Somerset ...
Contributions of 5 variations and a waltz to the Paraphrases, a collection of pieces by Borodin, Cui, Liadov, Liszt, Rimsky-Korsakov, and Nikolai Vladimirovich Shcherbachov (originally published in 1879, with pieces added later to total 24 variations and 17 other pieces); the two-finger theme of this work is known also as "Tati-tati" or a ...
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