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Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
Alternatively a digital movie could be a film reel that has been digitized using a motion picture film scanner and then restored, or, a digital movie could be recorded using a film recorder onto film stock for projection using a traditional film projector. Digital cinema is distinct from high-definition television and does not necessarily use ...
This device is able to transfer 16mm and 35mm motion picture film to NTSC or PAL television standards or one of many High-definition television standards. With the data transfer option a Spirit DataCine can output DPX data files. The Spirit DataCine is made by DFT Digital Film Technology GmbH in Darmstadt, Germany. [1]
Debris in the camera, such as dust or sand, may scratch the film; a single grain of sand can damage a whole roll of film. As film cameras age, they can develop burs on parts inside the film advance chamber. With a digital SLR, dust is difficult to avoid but is easy to rectify using a computer with image-editing software.
The work was performed at the Digital Film Lab in Copenhagen, using a Spirit Datacine to transfer the entire film to digital files at 2K resolution. The digital intermediate process was also used to perform a digital blowup of the film's original Super 16 source format to a 35mm output. [7] [8]
Edge of a 35mm film print showing the soundtracks. The outermost strip (left of picture) contains the SDDS track as an image of a digital signal; the next contains the perforations used to drive the film through the projector, with the Dolby Digital track (grey areas) with the Dolby Double-D logo, between them. The two tracks of the analog ...
The sizes of sensors used in most current digital cameras, relative to a 35 mm format. A full-frame DSLR is a digital single-lens reflex camera (DSLR) with a 35 mm image sensor format (36 mm × 24 mm). [1] [2] Historically, 35 mm was one of the standard film formats, alongside larger ones, such as medium format and large format.
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
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