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Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
The song is a mid-tempo twelve-bar blues that features Tampa Red playing jazz-inflected single-note guitar fills behind his vocals. Blind John Davis provided the piano accompaniment with an unidentified bass player and, as a throwback to his earlier days, Red added a twelve-bar kazoo solo. [ 4 ]
The book notes that "An eighteen-year-old black girl, in prison for murder, sang the song and the first stanza of these blues." The Lomaxes then added a number of verses from other sources and named it "Woman Blue". [2] The music and melody are similar to Lucille Bogan's "B.D. Woman Blues" (c. 1935), although the lyrics are completely different.
"Bottle Up and Go" or "Bottle It Up and Go" is a song that is a standard of the blues. [1] Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go", etc.
"Last Kind Words Blues", more commonly known as "Last Kind Words", is a 1930 blues song, written by Geeshie Wiley, and performed and recorded by Geeshie Wiley and Elvie Thomas. It was released on the Paramount Records label in July 1930, with "Skinny Leg Blues" as the B-side .
None of Us Are Free" is a rhythm and blues song written by Barry Mann, Cynthia Weil, and Brenda Russell in 1993. It was first recorded by Ray Charles on his 1993 album My World , [ 1 ] [ 2 ] but received relatively little attention at that time.
"Too Many Drivers" is a blues song recorded by Big Bill Broonzy in 1939. It is performed in an acoustic ensemble-style of early Chicago blues and the lyrics use double entendre often found in hokum-style blues songs. The song has been identified as one of Broonzy's more popular tunes and has been recorded over the years by a variety of artists ...
Blues researcher Samuel Charters describes Johnson's slide guitar playing as having "a nuance and delicacy that extended and clarified the emotion of his singing", which is supported by his rhythmic fingerpicked bass line. [4] Columbia issued the song on a 78 rpm record with the title "Mother's Children Have a Hard Time". Charters notes that ...