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The glass ceiling metaphor has often been used to describe invisible barriers ("glass") through which women can see elite positions but cannot reach them ("ceiling"). [15] These barriers prevent large numbers of women and ethnic minorities from obtaining and securing the most powerful, prestigious and highest-grossing jobs in the workforce. [16]
The rise of Rishi Sunak as the United Kingdom's first prime minister of South Asian heritage, following scandals that brought down two prime ministers within a year, was described as an example of the glass cliff effect. [25] Minority women face a duplicated glass cliff, being affected by both their gender and race. [26]
The house is considered an iconic representation of modern architecture in Los Angeles during the twentieth century. It was made famous by a Julius Shulman photograph showing two women leisurely sitting in a corner of the house with an evening panoramic view of the city through floor-to-ceiling glass walls.
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The glass walls also hampered the ability to illuminate the interior at night and created bad acoustics. To solve the glare, heat and sound problems, the contractor lined the exterior of the glass walls with angled quatrefoils. They reduced the amount of heat and outside light entering the building and improved its acoustics.
Glass block wall in Chicago. Glass blocks can provide light and serve as a decorative addition to an architectural structure, but hollow glass blocks are non load-bearing unless stated otherwise. Hollow glass wall blocks are manufactured as two separate halves and, while the glass is still molten, the two pieces are pressed together and annealed.
The term "bamboo ceiling" is a concept that describes the barriers faced by many Asian Americans in the professional arena, such as stereotypes and racism, particularly with ascending to top executive and leadership positions.
The Maison de Verre (French for House of Glass) was built from 1928 to 1932 in Paris, France. Constructed in the early modern style of architecture , the house's design emphasized three primary traits: honesty of materials, variable transparency of forms, and juxtaposition of "industrial" materials and fixtures with a more traditional style of ...
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