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2. MPEG-1 - Wikipedia

   en.wikipedia.org/wiki/MPEG-1

   MPEG-1 is a standard for lossy compression of video and audio.It is designed to compress VHS-quality raw digital video and CD audio down to about 1.5 Mbit/s (26:1 and 6:1 compression ratios respectively) [2] without excessive quality loss, making video CDs, digital cable/satellite TV and digital audio broadcasting (DAB) practical.

3. Freemake Audio Converter - Wikipedia

   en.wikipedia.org/wiki/Freemake_Audio_Converter

   Freemake Audio Converter is an ad-supported audio conversion utility developed by Ellora Assets Corporation. The program is used to convert across different audio formats, merge audio files, and extract audio from video files. Freemake Audio Converter 1.0.0 does not support CD burning. [2]

4. HandBrake - Wikipedia

   en.wikipedia.org/wiki/HandBrake

   MPEG-1 or MPEG-2 Audio Layer III (MP3) Opus [17] ... Lifehacker.com visitors voted HandBrake as the most popular video converter over four other candidates by a wide ...

5. Audio converter - Wikipedia

   en.wikipedia.org/wiki/Audio_converter

   M4A (MPEG-4 Audio): A compressed format often used with Apple devices, similar to MP3 but potentially offering higher quality at the same bitrate. FLAC (Free Lossless Audio Codec): A lossless compression format that maintains the original audio quality but creates files larger than MP3s. OGG Vorbis: An open-source, lossless compression format ...

6. List of open-source codecs - Wikipedia

   en.wikipedia.org/wiki/List_of_open-source_codecs

   The reference implementation is released under the LGPL 2.1 and currently available in version 2.0 (as of 12/2020) [8] FFmpeg codecs – Codecs in the libavcodec library from the FFmpeg project (FFV1, Snow, MPEG-1, MPEG-2, MPEG-4 part 2, MSMPEG-4, WMV2, SVQ1, MJPEG, HuffYUV and others). Decoders in the libavcodec (H.264, SVQ3, WMV3, VP3, Theora ...

7. Comparison of audio coding formats - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_audio_coding...

   The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.