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Under their referencing system, 3.1.55 means act 3, scene 1, line 55. References to the First Quarto and First Folio are marked Hamlet Q1 and Hamlet F1, respectively, and are taken from the Arden Shakespeare Hamlet: the texts of 1603 and 1623. [54] Their referencing system for Q1 has no act breaks, so 7.115 means scene 7, line 115.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
As she leans over the water, holding onto the branches of a willow with one hand, and brushing aside the rushes with the other, she repeats some of the words and the melody (Theme of Hamlet's Love) [1] from her love duet with Hamlet in act 1 (Ophélie: Doute de la lumière – "Doubt that the light illumines"). One sees her momentarily floating ...
His father, the fictional former king of Norway, is also named Fortinbras and was slain in the play's antecedent action in a duel with King Hamlet. [1] [2] The duel between the two is described by Horatio in Act One, Scene One (I,i) of the play. His name is not Norwegian in origin, but is a French–English hybrid (fort in bras) meaning "strong ...
"Caviar to the general" Hamlet Act 2, scene 2, 431–440 ...brevity is the soul of wit, Though this be madness, yet there is method in 't, There is nothing either good or bad but thinking makes it so.
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
Hamlet is one of the most popular of Shakespeare's plays, ... The Undiscovered Country (1991) is a reference to the soliloquy in Act 3, Scene 1.
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose: