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King Lear, George Frederick Bensell. The Tragedy of King Lear, often shortened to King Lear, is a tragedy written by William Shakespeare. It is loosely based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between his daughters Goneril and Regan, who pay homage to gain favour, feigning ...
18th-century depiction of King Lear mourning over his daughter Cordelia. In the essay on King Lear, which he entitled simply "Lear", Hazlitt makes no references to the performances of any actors. In fact, here he fully agrees with Lamb that King Lear, like Hamlet, cannot be adequately presented on stage. No actors, he felt, could do justice to ...
Shakespeare is thought to have written the following parts of this play: Act I, scenes 1–3; Act II, scene 1; Act III, scene 1; Act V, scene 1, lines 34–173, and scenes 3 and 4. [36] Summary Two close friends, Palamon and Arcite, are divided by their love of the same woman: Duke Theseus' sister-in-law Emelia.
The original series included text and analysis of sixteen of Shakespeare's Plays. [1] Kittredge, who had taught Harvard undergraduates an introductory course on Shakespeare called English 2, had written very little on the subject, other than an address in 1916 at the Sanders Theater, before publishing his Complete Works in 1936 (see below) and ...
Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio.
Othello Navigator Archived 15 May 2016 at the Wayback Machine—Includes the annotated text, a search engine, and scene summaries. Cinthio's Tale—A 19th-century English translation of Shakespeare's primary source. Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text.
Cordelia is a fictional character in William Shakespeare's tragic play King Lear.Cordelia is the youngest of King Lear's three daughters and his favorite. After her elderly father offers her the opportunity to profess her love to him in return for one-third of the land in his kingdom, she replies that she loves him "according to her bond" and she is punished for the majority of the play.
Jaffa's contribution, "The Limits of Politics: King Lear, Act I, scene i", is a thorough reading of the opening scene in which Jaffa argues that Lear's love test was not irrational or vain but rather the result of Lear's sensible and profound reflection on how best to secure stability following his succession, and that the plan necessarily ...