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Fashion in the period 1500–1550 in Europe is marked by very thick, ... English or French fashion of 1545: the trumpet-sleeved "French" or "Tudor dress", worn over a ...
Italian fashion of the 1470s featured short overgowns worn over doublets, and hats of many shapes. Hats in a variety of styles are also worn by this group of French noblemen in high-collared overgowns lined with fur, c. 1470. Late in the 15th century, a new style of loose overgown with revers and collar appeared. Italy, 1495.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
A lady, probably of the Cromwell family, wearing a French hood. Hans Holbein the Younger, c. 1540. French hood is the English name for a type of elite woman's headgear that was popular in Western Europe in roughly the first half of the 16th century. The French hood is characterized by a rounded shape, contrasted with the angular "English" or ...
A gable hood, English hood or gable headdress is an English woman's headdress of c. 1500–1550, so called because its pointed shape resembles the architectural feature of the same name. The contemporary French hood was rounded in outline and unlike the gable hood, less conservative, displaying the frontal part of the wearer's hair.
Mary's skirts are shaped by a French farthingale in the Blairs Museum portrait. Masques were the heart of festivities at royal courts. [16] Mary wore farthingales, and danced in masques (with the French governess Françoise d'Humières) in costumes made with lightweight silver and gold fabrics decorated with silver and gold metallic spangles. [17]
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The French Renaissance was the cultural and artistic movement in France between the 15th and early 17th centuries. The period is associated with the pan-European [ 1 ] Renaissance , a word first used by the French historian Jules Michelet to define the artistic and cultural "rebirth" of Europe.