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Her black gown is high necked in front and lower at the back, typical of Italian fashion at this time, and is worn with floral sleeves, probably attached to an underdress, 1465–1470. Italian fresco showing women with their hair braided or twisted, and wrapped around their heads, secured with ribbons laced through the coils, 1468–1470.
The new bridesmaid’s dress will join other items linked to Elizabeth and Philip’s 1947 wedding, including Hartnell’s original sketches, “meaning the original design sketch of the ...
Budget-friendly wedding guest dresses do exist. Case in point: NIA’s under-$65 Clara dress, which is made from a jersey fabric that boasts ample stretch, thanks to that inclusion of spandex, and ...
A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin (French: hennin / ˈ h É› n ɪ n /; [1] possibly from Flemish Dutch: henninck meaning cock or rooster) [N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [2]
Anna Cuspinian wears a rose-pink brocade gown with a high belt and black collar and cuffs with a large headdress 1502–03. St Dorothea wears a black goller or round partlet over a gown with an organ-pleated skirt and a snug bodice trimmed with embroidery. She wears pieced sleeves derived from Italian styles with puffs at the elbows and ...
For the day of engagements in Cuenca, Spain, the queen opted for a burgundy suit from French fashion label Sézane—a brand beloved by Kate Middleton. The burgundy was a subtle nod to the ...
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