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Engineer and Gibson employee Seth Lover had developed a hum-canceling circuit for amplifier power supplies and suspected the same concept could be applied to guitar pickups. [1] Ted McCarty authorized the project and Lover spent much of 1954 working on this noise-cancelling or "hum-bucking" pickup design. [4] By early 1955, the design was ...
The P-90 was also marketed by Gibson in the 1970s as the "Laid Back" pickup, as part of a line of "named" pickups. [4] [page needed] For the 2014 model year, the Les Paul Melody Maker featured a variant of the P-90 pickup called the P-90S, inspired by the original pickup of the Gibson ES-125.
Gibson says the instrument "accurately represents what Eric Clapton personally feels his 1960 Les Paul should be", with Clapton consulting on the design of the guitar. Production is limited but all feature period-correct hardware, two Gibson reproduction PAF humbucking pickups, and subtly figured "antiquity burst" maple tops.
Beginning in 2010, Gibson stated that they would no longer be creating banjo tuners for the Firebird. [2] Gibson reissues of the Firebird do not use the same pickup build that was originally introduced in 1963. The modern Firebird pickups have a higher output volume, more midrange, and less treble than the original design. [citation needed]
The Paul Standard had a single sharp cutaway Les Paul-style walnut body, [2] set walnut neck, 22-fret ebony fingerboard with pearl dot inlays, walnut headstock with gold Gibson logo (1978–1981), three-per-side tuners, Tune-o-matic bridge, stop tailpiece, two exposed humbucker pickups, some models had "T" top pickups, four knobs (two volume ...
1972 Gibson Les Paul Deluxe. The mini-humbucker is a humbucking guitar pickup (used in electric guitars).It was originally created by the Epiphone company.The mini-humbucker resembles a Gibson PAF humbucker, but is narrower in size and senses a shorter length of string vibration. [1]
The Pro has 22 frets; the Standard has 24 frets. The Standard "Plus" has gold hardware. Unlike other 2-pickup single cutaway Les Pauls, these Gibson doublecutaway versions have one master volume and one master tone control (singlecut Les Pauls with two pickups have two sets of tone and volume controls, one for each pickup).
This pickup, particularly in this configuration is known for its distinctive tone, especially its large, booming low end, owing to its unique design and exceptionally high output. This pickup, colloquially known as the "Mudbucker" for its "muddy" tone, and by Gibson itself as a "Sidewinder", as the pickup is wound from left to right side.
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