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A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
A Dictionary of Ballet Terms (3rd revised ed.). New York: Da Capo Press. ISBN 0-306-80094-2. OCLC 4515340. Minden, Eliza Gaynor (2005). The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet. New York: Simon and Schuster. ISBN 0-7432-6407-X. OCLC 58831597. Glossary of Dance Terms. New York: New York City Ballet ...
Chassé in ballet. The chassé (French:, French for 'chased'; sometimes anglicized to chasse / ʃ æ ˈ s eɪ, ʃ æ s /) is a dance step used in many dances in many variations. All variations are triple-step patterns of gliding character in a "step-together-step" pattern. The word came from ballet terminology.
The chassé (, French for 'to chase'; sometimes anglicized to chasse / ʃ æ ˈ s eɪ, ʃ æ s /) is a waltz ballroom dance figure. Like chassés in other dances, it involves a triple-step where one foot "chases" the other in a "step-together-step" pattern. It is derived from a ballet step. [1]
The Thistle (Scottish ladies' solo step dance)) Tiger dance; Tinikling (Philippines) Time Warp; Tinku (Bolivia, Peru) Tobas; Tondero ; Topeng dance; Tourdion (historical) Toycular yarcan; Toyi-toyi; Traditional dance; Tranky Doo (Swing, Line dance) Tranos Choros; Trata ; Trepak (The Nutcracker) (Russian dance; character dance from the ballet ...
A minuet (/ ˌ m ɪ nj u ˈ ɛ t /; also spelled menuet) is a social dance of French origin for two people, usually written in 3 4 time but always played as if in 6 8 (compound duple metre) to reflect the step pattern of the dance. The English word was adapted from the Italian minuetto and the French menuet.
The 3rd part i.e., cued as step usually uses half the time of the whole pattern, e.g. one quarter note The tri-ple part may be danced evenly, e.g., two eighth notes or unevenly (on swung notes), e.g., the first part taking up 2/3s of a beat and the second part 1/3, or the first part taking up 3/4 of the beat and the 2nd part 1/4.
The leader crosses his foot in front on steps 1 and 3, while crossing behind on step 5 and to the side on 2, 4 and 6, creating the pattern: in front, side, in front, side, behind, side. The follower dances the same pattern but offset by a bar: side, behind, side, in front, side, in front.