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A stereo microphone integrates two microphones in one unit to produce a stereophonic signal. A stereo microphone is often used for broadcast applications or field recording where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration (see microphone practice) for stereophonic recording. Some such ...
The charged elements in the vacuum tubes can mechanically vibrate, changing the distance between the elements, producing charge flows in and out of the tube in a manner identical to a capacitor microphone. A system sufficiently susceptible to microphonics could experience audio feedback, and make noises if jarred or bumped.
There were many variations in different colors such as the JT-30-C, W-30, 31, JT-31, JT-40, JT-50, and Model A. It is one of the most popular microphones for blues harp players. [6] Production of the mic continued in different versions such as the JT-30VC and the CAD HM-50 that were marketed to harmonica players before being discontinued in 1999.
Enthusiasts consider EVP to be a form of paranormal phenomenon often found in recordings with static or other background noise. Scientists regard EVP as a form of auditory pareidolia (interpreting random sounds as voices in one's own language) and a pseudoscience promulgated by popular culture.
The equipment for the techniques also varies from the bulky to the small and convenient. A-B techniques generally use two separate microphone units, often mounted on a bar to define the separation. X-Y microphone capsules can be mounted in one unit, or even on the top of a handheld digital recorder.
The position of the pop filter is different in different recording situations, with a further position from the microphone causing fewer pop sounds. More distance means increasing the microphone gain and gaining more room noise. Normally, to get good quality, the pop filter should be placed about 2–6 inches (5–15 cm) away from the ...
Court reporter tests his stenomask. [1]A stenomask is a hand-held microphone built into a padded, soundproof enclosure that fits over the speaker's mouth or nose and mouth. . Some lightweight versions may be fitted with an elastic neck strap to hold them in place while freeing the user's hands for other tas
The Soundfield microphone used to make Ambisonic recordings can be adjusted to mimic two microphones of any pattern at any angle to each other, including a Blumlein pair. In his early experiments at EMI with what he called " binaural " sound, Blumlein did not use this actual technique because he did not have access to figure-eight microphones.