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Lisa Nelson began her training in traditional modern dance and ballet as a child at the Juilliard School in New York City and then Bennington College in Vermont. In the 1970s, she became interested in diverse approaches to dance improvisation, including performing with Daniel Nagrin’s Workgroup in 1971-72.
This three weeks' long yearly initiative of intense study grew into a full-fledged program, Exploring Ballet with Suzanne Farrell. In the fall of 1999, Farrell received critical acclaim for the successful Kennedy Center engagement and East Coast tour of Suzanne Farrell Stages the Masters of 20th-century Ballet. Following the Kennedy Center's ...
Gilpin also guested with the Royal Ballet and American Ballet Theatre. [1] He created multiple roles, including The Sailor's Return in 1947, Le Rêve de Léonor in 1949, Esmeralda in 1954, and Variations for Four in 1957. [1] Between 1965 and 1967 Gilpin served London Festival Ballet as its artistic director. [1]
A Dictionary of Ballet Terms (3rd revised ed.). New York: Da Capo Press. ISBN 0-306-80094-2. OCLC 4515340. Minden, Eliza Gaynor (2005). The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet. New York: Simon and Schuster. ISBN 0-7432-6407-X. OCLC 58831597. Glossary of Dance Terms. New York: New York City Ballet ...
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This ballet is in five scenes and represents a striking admixture of classical ballet, Spanish-style movement, mime, and freshly invented dramatic dance action. [2] It opened "scandalously and brilliantly, with the fabulously sexy Zizi Jeanmaire in the title role" in London and has been regularly performed ever since. [3]
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Don Juan ou Le Festin de Pierre (Don Juan, or the Stone Guest's Banquet) is a ballet with a libretto by Ranieri de' Calzabigi, music by Christoph Willibald von Gluck, and choreography by Gasparo Angiolini. The ballet's first performance was in Vienna, Austria on Saturday, 17 October 1761, at the Theater am Kärntnertor.
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