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Rembrandt or pupil. The painting is covered by a layer of yellowed varnish The Prophetess Anna in the Temple: 1650 or c. 1646: Oil on panel: 40.5 x 31.5: National Gallery of Scotland, Edinburgh: 210: The painting is covered by a layer of yellowed varnish The Nativity: 1646: Oil on canvas: 92 x 71: Alte Pinakothek, Munich: 211a
She rests her left foot on a foot-warmer and leans over to the left to draw the green curtain of the cradle in which the Child lies asleep under a red fur-lined coverlet. Mary wears a deep red gown and dark blue skirt, and a white kerchief and cap. Behind her in half-shadow, Joseph, in a brown working-dress, is shaping a yoke with his axe. From ...
The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
It is, however, still connected with Rembrandt's workshop and is grouped together with all the other versions. It was included in the 2011 exhibition "Rembrandt and the Face of Jesus" held in the museums of Detroit (DIA), Philadelphia (PMA) and Paris (Louvre) April 21, 2011 – February 12, 2012, no. 46.
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
The following is a list of etchings by the Dutch painter and etcher Rembrandt, with the catalogue numbers of Adam Bartsch. Each change or addition to the plate that can be seen in a print is referred to as a 'state' of the print.
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
The Adoration of the Magi is a painting of c. 1632 to 1633 recently attributed to Rembrandt. [1] [2] It was recognized as an original in 2016 after it fell off the wall at the home of its owners in Rome. They took it to be restored as the fall damaged the frame. The restorer realized the painting was not a copy as the owners believed.
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