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Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
The Ming-era design of the taijitu of two interlocking spirals was a common yin-yang symbol in the first half of the 20th century. The flag of South Korea , originally introduced as the flag of Joseon era Korea in 1882, shows this symbol in red and blue.
Yin and yang (English: / j ɪ n /, / j æ ŋ /), also yinyang [1] [2] or yin-yang, [3] [2] is a concept that originated in Chinese philosophy, describing an opposite but interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system in which ...
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In Chinese philosophy, taiji (Chinese: 太極; pinyin: tàijí; Wade–Giles: tʻai chi; trans. "supreme ultimate") is a cosmological state of the universe and its affairs on all levels, including the mutually reinforcing interactions between the two opposing forces of yin and yang, (a dualistic monism), [1] [2] as well as that among the Three Treasures, the four cardinal directions, and the ...
The taijitu uses black and white or red to represent the unity of yin and yang. Ancient Chinese people regarded black as the king of colors and honored black more consistently than any other color. Laozi said "know the white, keep the black", and Taoists believe black is the color of the Tao. [citation needed]
The Chinese refer to this as the yin-yang theory. We have night, but we also have day. We have work, but we also have play. It is also called the law of the unity of opposites.
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