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Coolness, or being cool, is the aesthetic quality of something (such as attitude, behavior, appearance, or style) being generally admired by society and being compatible with social norms. Because of the varied and changing interpretation of what is considered cool , as well as its subjective nature, the word has no single meaning.
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
Ramón Pagayon Santos (born 25 February 1941) is a Filipino composer, ethnomusicologist, and educator known for being the Philippines' foremost living exponent of contemporary Filipino classical music, [1] [2] for work that expounds on "the aesthetic frameworks of Philippine and Southeast Asian artistic traditions," [2] and for finding new uses of indigenous Philippine instruments.
In 1953, as the music education profession was just beginning to rethink its philosophy, Leonhard published his article "Music Education—Aesthetic Education." [2] In this article, Leonhard urged music educators to eschew the instrumental values of music education and to stress the aesthetic value of music. While a graduate student, Leonhard ...
Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it.
The University of Santo Tomas Conservatory of Music, popularly known as "UST Music", is the music school of the University of Santo Tomas, the oldest and the largest Catholic university in Asia. Proclaimed as one of the only two universities to be a Center of Excellence in Music, [ 2 ] the college has maintained its efforts and achievements to ...
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New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology—focused on primary research—of the early 20th century and postwar era.