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Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Microtechnique is an aggregate of methods used to prepare micro-objects for studying. [1] It is currently being employed in many fields in life science. Two well-known branches of microtechnique are botanical (plant) microtechnique and zoological (animal) microtechnique.
A microtome (from the Greek mikros, meaning "small", and temnein, meaning "to cut") is a cutting tool used to produce extremely thin slices of material known as sections, with the process being termed microsectioning.
Medieval Europe was the lone exception to this rule, developing harmonic music in the 14th/15th century as musical culture transitioned form sacred music (meant for the church) to secular music. [119] South Asian and West Asian music were similar to each other for their use of microtone.
The performance of keyboard tone clusters is widely considered an "extended technique"—large clusters require unusual playing methods often involving the fist, the flat of the hand, or the forearm. Thelonious Monk and Karlheinz Stockhausen each performed clusters with their elbows; Stockhausen developed a method for playing cluster glissandi ...
A semitone is thus made of two steps, and three steps make a three-quarter tone or neutral second, half of a minor third. The 8-TET scale is composed of three-quarter tones. Four steps make a whole tone. Quarter tones and intervals close to them also occur in a number of other equally tempered tuning systems.
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Quadrangularis Reversum, one of Partch's instruments featuring the 43-tone scale. The 43-tone scale is a just intonation scale with 43 pitches in each octave.It is based on an eleven-limit tonality diamond, similar to the seven-limit diamond previously devised by Max Friedrich Meyer [1] and refined by Harry Partch.